Still from Glück auf in Deutschland (2024) by Pınar Öğrenci. Archival image from Ruhr Museum Essen. Courtesy by Pınar Öğrenci
Recollection of Time
Films and Talk
Remembering is a process. To make this visible, the three filmmakers have developed artistic strategies: the reconstruction of sounds (Tatiana Lecomte, Ein mörderischer Lärm, 2015), the testing of perception from the perspective of a watchtower (Maya Schweizer, Regarde par ici, …Und dort die Puschkinallee, 2018) or the uncovering of staging in photographs (Pınar Öğrenci, Glück auf in Deutschland, 2024).